Leje

2023, digital – Leje and Ba’lejel, Gods of Life and Knowledge
2023, digital – “The World’s Tortoise”, concept drawing for Avatar of the Gods of Life: Leje (the turtle) and Ba’lejel (the tree)
2023, digital – Brainstorming Scaylshells

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

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Saeza

2024, digital – Saeza, Ba’saemo, and Ba’saeshej: Gods of Soul, Spirit, and Sentiment
2023, digital – Brainstorming Expressions of the Gods of Soul

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Kirii

2023, digital – Kiiri: Goddess of Death
2024, digital – “Undead Hoofspringer”, concept drawing for Avatar of the Goddess of Death: Kirii
2023, digital – Brainstorming Various Hoofspringers

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Leviathan

2023, digital – “The Song of the Seas”

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Scaylshells

2023, digital – “The World’s Tortoise”, concept drawing for Avatar of the Gods of Life: Leje (the turtle) and Ba’lejel (the tree)
2024, digital – The Monu ho’o, also known as ‘the living islands’

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Packhowlers

2025, digital – Various Packhowlers (left to right: Zabian, Grey, Common, Vinaco’s, Maned)

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Hoofspringers

2024, digital – “Undead Hoofspringer”, concept drawing for Avatar of the Goddess of Death: Kirii
2024, digital – Duskwalker Duo (male on left, female on right)
2024, digital – Various Hoofspringers (left to right, front row: Pinhorn, Crested, Lesser Desert, Striped; back row: Greater Desert, Svannah)

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Clawings

2024, digital – Brute Clawing
2024, digital – Various Clawings (left to right: Little Green, Pond, Sooty, Great Pink)

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Wingrunners

2024, digital – Great Wingrunner becomes prey to a Long-legged Lindwyrm
2024, digital – Various Wingrunners (left to right: Savannah, Hope’s, Tasseled)

These creature designs are a few of many works completed as part of my long-running passion project: worldbuilding a fantasy realm called Alékia.

Every species begins with a simple question: if this world really existed, what would live here? From there, each creature is shaped by the environments, history, and magical forces unique to Alékia. Some are grounded in real biological principles before diverging into stranger possibilities, while others exist because millions of years of evolution have unfolded alongside realms, gods, and forces unlike anything found on Earth.

Rather than existing in isolation, each design is part of a broader ecosystem. Every animal occupies a niche, interacts with other species, and reflects the region it inhabits. Their anatomy, behavior, coloration, and even the stories told about them are informed by the cultures and landscapes that surround them, making each illustration a small glimpse into a much larger world.

As Alékia continues to grow, so too will its wildlife. I hope these creatures inspire you to imagine the lives they lead beyond the frame.

Click Below to Read More

Eoraptor

2021, digital – Eoraptor Headshot, Late Triassic, Argentina

“Eoraptor lunensis is one of the oldest dinosaurs ever discovered.  It illustrates the basic anatomy of these earliest “fearfully great reptiles,” which actually started out as small, bipedal, (mostly) carnivorous animals.  You could hold the skull of Eoraptor in one hand, and as an adult it would have stood only knee-high.

Ray Rogers

© Macalester College 2021

This illustration is one of many works resulting from a multi-year collaboration with geologist Raymond Rogers and paleobiologist Kristina Curry Rogers. The series, titled Raising the Dead: Bringing Fossil Ecosystems to Life, aimed to envision ancient environments and long-extinct species with digitally drawn “prehistoric polaroids”.

Kristi, Ray, and Jordan worked through an iterative process to bring these fossil worlds to life.  They began with the hard science of published papers and ongoing research, choosing the animals and plants to feature in vignettes, small scenes that capture messages about the lives of the various animals.  Once the anatomical details for an animal were in place in a sketch, the group would play with color and skin texture to settle on a ‘look’ – occasionally for juveniles, males, and females, and occasionally for just a single individual, often drawing inspiration from living relatives.  Then the scene would come to life, as they considered the time of day, weather, and moment through each season season.  The scientific literature along with recent discoveries by Ray and Kristi provided details on vegetation, and on interactions between animals in different scenes. 

Dive into these fossil worlds, and use your imaginations to continue to bring them to life for yourselves.  What would it have sounded like?  What would the water temperature have been?  What might it have smelled like? These are the unknowns that infuse the pieces with even more life, and more individuality.